Written in a radical avant-gardist style, comparable to Brecht’s theatre, Lasker-Schüler’s plays (Die Wupper, 1909; Arthur Aronymus und seine Väter, 1932; IchundIch, 1937–1941) are critical performances of gender conflicts, militarism, and anti-Semitism. The present study is the first to analyze her dramatic Œuvre in it’s entirety.